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      <image:title>Albatross - ALBATROSS</image:title>
      <image:caption>“Albatross” is a dark, character-driven, drama, which examines the concept of self (identity, ethnicity and sexual-orientation) in the context of society, while illustrating the compromises individuals are willing to make to feel as though they belong. Two seemingly separate narratives, spanning some 30 years converge at a dinner party between two newly introduced couples in 1959 New England, revealing that the attendees know much more about one another than they first thought.</image:caption>
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      <image:title>Albatross - STORY</image:title>
      <image:caption>After moving to a new town, a young bi-racial couple, Elizabeth and Thomas Miller, are at a cross-roads: they are childless, and he remains an unpublished writer. After five years of marriage, Elizabeth’s become tired of cutting the checks, while Thomas has grown more reclusive. Consequently, his work has suffered to the point that his publisher has encouraged him to ditch his magnum opus to write a more commercially viable romance. Carol and Dr. Lloyd Burke have built an imposing façade glorifying the societal ideals of the 1950s; an impressive home, prominent role at the Country Club, and son studying medicine. But, behind closed doors, the couple’s haunted by the cracks in the foundation of their relationship. Despite being represented by an esteemed gallerist, Bertram Fontaine, the failed housewife seeks validation in every encounter. Her husband, practices controversial methods of psychiatric treatment, including dosing patients with LSD. Through drug-induced memories, a 30-year-old mystery surfaces and reveals Thomas’ racy novel hits a little too close to home. Was this night a coincidence, or were there more sinister intentions?</image:caption>
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      <image:title>Albatross - A NOTE FROM THE WRITER / DIRECTOR</image:title>
      <image:caption>Would you reject a good omen? Would you recognize one when you see it? Creating a film during the pandemic has been an incredibly rewarding, albeit challenging experience. Not only was I tasked with developing a story that met the requirements of a COVID-free production, but also with writing a film within those constraints that exemplified my aesthetic and beliefs as a filmmaker. “Albatross” is a deeply personal story that examines timeless issues; race, gender, sexuality and belonging, through a period lens. Conceptually, I am fascinated by the ways we cope with challenging experiences to either grow or stagnate. Social media encourages us to react emotionally to the impact alternate opinions have on our community; it’s become too easy to block an account and categorize others as either fitting within or outside of our own bubble. With “Albatross”, I wanted to go back to a time where differing ideas had to be discussed intellectually. The film is riddled with opposing philosophical perspectives, forcing the characters to question the stability of their respective relationships and consider how the past or future will continue to nurture or deteriorate them. What happens when you can’t leave the dinner table? Bringing this story from page to screen required the support of a solid cross-border team and cast (I was adamant about tapping into Canada’s rich theatre community). After 12 months of development, production and post, I’m proud to introduce “Albatross”. Please enjoy our film, and my first foray into feature filmmaking.]</image:caption>
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      <image:title>Erin</image:title>
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      <image:title>Erin - ERIN</image:title>
      <image:caption>After finding a lost letter, an aeronautical engineering student seeks escape from 1960s academia by becoming pen-pals with a mysterious Brit; when they finally meet, he must decide what's more important, reality or fantasy.</image:caption>
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      <image:title>Erin - STORY</image:title>
      <image:caption>A routine life is disrupted when David, a research assistant dreaming of becoming an astronaut, finds a lost application letter from Erin Taylor in London, England.  Frustrated with his academic research, David opens the letter and becomes infatuated with Erin’s assertiveness and quest for knowledge and understanding, and excited by the prospect of making a new friend from a new world.  Erin is adventurous - David’s complete opposite. As their letter’s become more intimate, so do David’s fantasies of a romantic relationship with the free spirited Erin.  When Erin reaches out to David for help, he must decide if he is ready to confront his fantasy. Will reality meet the expectations of the fantasy he has built in his mind?  Although set in 1960s Americana, “Erin” explores the power of imagination and danger of expectations, something particularly relevant in today’s environment of social media and on-line versions of self.</image:caption>
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      <image:title>Poppies - POPPIES 罌粟花</image:title>
      <image:caption>While on a long-haul flight from Shanghai to New York, a despondent, American lawyer becomes seduced by the enchanting stories of a wise, Chinese woman seated beside him; unleashing feelings he had tried to bury deep inside.</image:caption>
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      <image:title>Poppies - STORY</image:title>
      <image:caption>Fate intervenes, when Charles, a young and over-worked American corporate lawyer, finds himself seated beside an elderly Chinese woman with a mysterious past, Auntie Ling on a contemporary flight from Shanghai to New York.  After noticing the beautiful bouquet of Poppies that Charles has brought onboard the flight, Auntie Ling reminisces about the early years of her marriage to Shu Zhen, an opium trader in 1940s Shanghai, and tries to coax Charles out of his solitude.  Slowly lured into her stories, Charles begins to see the layers beneath Auntie Ling's polished facade. Poppies brought Charles and Auntie Ling together, underscoring the fine line between joy and sorrow...life and death.  Influenced by real events, Poppies explores the cross-cultural and cross-generational relationships that develop between strangers in mid-air.</image:caption>
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      <image:title>Poppies - A NOTE FROM THE WRITER / DIRECTOR</image:title>
      <image:caption>At the root of Poppies are the universal ideas of love, fate and destiny, told through a contemporary lens exploring cultural values, age and gender. Was Charles destined to sit beside Auntie Ling, the one woman who can save him in his time of need? Or was he lucky – had he not brought the poppies on board the flight, what would happen to him? Like the character of Charles, I was absorbed in a stressful job that left me dispassionate and questioning my values (individual pursuits vs family), and my ideas on types of love. Also like Charles, I was lucky to have met a figure like Auntie Ling in Singapore, a colleague of mine at my first job in an investment bank. Poppies is a deeply personal story, based upon my experience of living and working in Asia for 7 years and the impression that Asian (and Chinese) culture has left on my perception and values. The film is not only a personal expression of experience, but also an important story for diversity – strengthening the relationship between Asia and America, and supporting the Asian-American community in the entertainment industry.</image:caption>
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      <image:title>Blood Yolk</image:title>
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      <image:title>Blood Yolk - BLOOD YOLK</image:title>
      <image:caption>“Blood Yolk” is an elegant, character-driven horror thriller about family, murder, and the price of redemption. In this world, the past defines everyone — and the question lingers: what would it take to cleanse us free? After returning to her family’s decaying farm, an estranged writer confronts a dark secret that forces her to question her twin brother’s involvement in a string of murders — and her own capacity to kill.</image:caption>
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      <image:title>Blood Yolk - STORY</image:title>
      <image:caption>After years away, Croia returns to her family’s decaying farm at a crossroads: her writing career has stalled, and the novel she once believed in remains unfinished. Her twin brother, Eli, has stayed behind, quietly maintaining the life she abandoned. Their reunion is uneasy - shaped by a shared past neither is willing to confront. As Croia settles back in, fractures begin to surface. Eli’s behavior grows increasingly erratic, and whispers of violence ripple through the surrounding community. When a series of brutal murders comes to light, suspicion turns inward - forcing Croia to question not only her brother’s involvement, but her own connection to the darkness surrounding them. In a world where blood runs deeper than truth, the line between witness and participant begins to blur.</image:caption>
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      <image:title>Blood Yolk - A NOTE FROM THE CO-WRITER / DIRECTOR</image:title>
      <image:caption>How far would you go to protect the people you love? And at what point does that protection become something else entirely? “Blood Yolk” began as an exploration of family - not as an ideal, but as something inherited, inescapable, and often unknowable. Co-written with lead actress Dani Alvarado, the story grew from a shared interest in the tension between who we believe we are and what we’re capable of under pressure. In this film, that tension lives between siblings - two people bound by the same origin, yet shaped by very different choices. At its core, “Blood Yolk” examines identity, violence, and the stories we tell ourselves to survive. We like to believe that morality is fixed, that we can clearly separate right from wrong, but I’m more interested in the grey space - where love and harm coexist, and where the line between victim and perpetrator begins to dissolve. Croia’s journey is not just about uncovering a truth, but confronting the possibility that she has always been part of it. From a filmmaking perspective, I wanted the film to feel grounded and immediate - lean, propulsive, and emotionally direct - while still holding space for atmosphere and unease. It’s a story that builds quietly, then refuses to let go. Bringing “Blood Yolk” to life required an incredible collaboration between cast and crew, all committed to telling a story that doesn’t offer easy answers. After years of development, production, and post, I’m proud to share the film with you.</image:caption>
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      <image:caption>SHORT | DRAMA | POST-PRODUCTION After a masquerade in 1911, a charming bachelor and his circle of friends turn a tarot game into a duel of wit and revelation, as gossip, secret engagements, and forbidden desires flare - a comedy of masks, where the true sin isn’t being seen, but hiding behind the mask too long.</image:caption>
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      <image:caption>FEATURE | THRILLER | 2026 After returning to her family’s decaying farm, an estranged writer confronts a dark secret that forces her to question her twin brother’s involvement in a string of murders - and her own capacity to kill.</image:caption>
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      <image:caption>FEATURE | DRAMA | 2022 Two seemingly separate narratives, spanning some 30 years converge at a dinner party between two newly introduced couples in 1959 New England, revealing that the attendees know much more about one another than they first thought.</image:caption>
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      <image:caption>SHORT | DRAMA | 2019 After finding a lost letter, an aeronautical engineering student seeks escape from 1960s academia by becoming pen-pals with a mysterious Brit; when they finally meet, he must decide what's more important, reality or fantasy.</image:caption>
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      <image:caption>SHORT | DRAMA | 2018 While on a long-haul flight from Shanghai to New York, a despondent, American lawyer becomes seduced by the enchanting stories of a wise, Chinese woman seated beside him; unleashing feelings he had tried to bury deep inside.</image:caption>
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